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The Eugene M. Kayden Awards

These awards, which are funded from the Eugene M. Kayden endowment, are intended to promote the completion of research and creative work in the arts and humanities, research leading to publication, and the celebration and dissemination of excellent arts and humanities research. The funds shall be used to promote scholarship and publication in the humanities at ÃÛÌÒ´«Ã½ÆÆ½â°æÏÂÔØ, across the broad range of humanistic disciplines, including the pursuit of those disciplines in other colleges.

All faculty in ÃÛÌÒ´«Ã½ÆÆ½â°æÏÂÔØ's College of Arts and Sciences on a 50% appointment or greater (e.g., instructional, researchÌýand clinical faculty) are eligible to apply. It is expected that Kayden award winners will be available to aid the awards committee in the selection of awards in subsequent years, as requested.

There are threeÌýkinds of awards:

Kayden Research Grants

While all faculty in ÃÛÌÒ´«Ã½ÆÆ½â°æÏÂÔØ's College of Arts and Sciences on a 50% appointment or greater (e.g., instructional, research and clinical faculty) are eligible to apply, these are awards to foster and promote research, creative works and translations in the arts and humanities disciplines, which have a high probability of publication. The applicant will submit the following application file:

  1. A research/publication proposal (maximum 1,000 words) which explains the nature and significance of the project, the necessity for the funds, and the likely publication outcome;
  2. A request for a specific amount together with a one-page budget;
  3. A complete list of the applicant’s publications.
  4. A list of past funding awarded by the Kayden Research Awards and the related publication outcomes.

Please submit your proposal, with all three of the above elements together, either in Microsoft Word or PDF format.Ìý

These can be emailed to Anna JensenÌýbefore or on the day of the application deadlines listed below.

The maximum amount for any grant will be $3,000. Awards may be for any legitimate research costs associated with the production and publication of original work in the humanities. Travel grants, including grants to finance conference travel, will be considered, provided there is clear evidence that conference attendance will promote or advance the published scholarly work of the applicant. Also eligible is the subvention of manuscript publication, for works that have unusual costs attached. Priority will be given to manuscripts already accepted by major academic presses. The manuscripts must not be textbooks, but may be translations.ÌýFunds must be used within 12 months of the notification of the award or returned to the fund. If some portion of the award cannot be disbursed as described in the original application, that portion should be returned to the Fund. Off-cycle requests will not be considered, but applicants are free to submit a new application in the next funding cycle.

For the Fall Research Grants please submit your application byÌý5 p.m., Oct. 24, 2025.

For the Spring Research Grants please submit your application byÌý5 p.m., Jan. 23, 2026.

The Research Award Committee will consist of the associate dean of faculty success (chair) or their nominee, together with at least three faculty members designated by the associate dean each of whom will serve two-year terms. Those who serve on the Research Award Committee will not be eligible to apply to for Kayden Research Awards during their tenure on the Committee.

Kayden Book Awards

Each year faculty members publishing in the Humanities are invited to submit books in progress for the Kayden Book Award. An awardee will receive a $1000 research account, and their department will receive a $4,000 grant to organize a one-day manuscript symposium. Edited book submissions will only be considered if all authors are currently employed at ÃÛÌÒ´«Ã½ÆÆ½â°æÏÂÔØ.

The symposium will involve both the author and experts in the author’s field who will present critiques of the book to which the author will respond. The symposium will be open to the wider academic community and the public. Funds must be disbursed by the end of the academic year following the awardÌýor returned to the Fund. If some portion of the award cannot be disbursed as described in the original application, that portion should be returned to the Fund. Off-cycle requests will not be considered, but applicants are free to submit a new application in the next funding cycle.

To be considered, the project must be close to final submission for publication. For example:

  • Scholarly monographs will be under peer review by a scholarly press, and/or the author(s) will be in the process of final revisions in response to those reviews, and/or will be under contract with a reputable press but not yet in print.
  • Creative writing will be submission-ready, or will be under review, or will be under contract with a reputable press but not yet in print.
  • Digital projects will have the approximate scope of a book and will be original scholarly work (in the process of review) or original creative work (submission-ready, or under review, or under contract with a reputable press).

A book may be nominated by the author, or by another CU faculty member.

The application file will consist of

  1. a letter of nomination (maximum, 750 words), may be self-nominated or other;
  2. a copy of the book in digital format (or a link to a preliminary version of the digital project);
  3. a complete list of the nominee’s publications; and
  4. other supporting materials (e.g. a contract letter from the press, readers comments, etc.).

For the Kayden Book Award, please submit your application file, consisting of the letter of nomination, the list of nominee’s publications andÌýother supporting documents in a single Microsoft Word or PDF file.ÌýThe application file should be submitted via email to Anna Jensen before or on the day of the application deadline, 5 p.m., Feb. 20, 2026.

The Book Award Committee will consist of at least three faculty members nominated by the associate dean of faculty success.ÌýMembers will serve for just one year. Those who serve on the Book Award Committee will not be eligible to be nominated for the KaydenÌýBook Award during their tenure on the committee.

KaydenÌýTranslation Awards

The Kayden Translation Awards honor the memory of Eugene Kayden (a translator in his own right) by promoting the translation of texts that help disseminate the exchange of knowledge and research in the fields of the Arts, Humanities, and Social Sciences.

In recognition of an outstanding creative or scholarly translation, two types of annual awards can be given.

1) ÌýThe awardee will receive a $1,500 research account, and the awardee’s department will receive a $3,000 grant to organize a one-day Translator Symposium. The symposium will involve both the translator and experts in translation studies who will discuss the translation. The symposium will be open to the wider academic community and the public. Funds must be disbursed by the end of the academic year following the award. If some portion of the award cannot be disbursed as described in the original application, that portion should be returned to the Fund. Off-cycle requests will not be considered, but applicants are free to submit a new application in the next funding cycle. In spring 2025, the award will be given to a book-length translation published in 2023 orÌý2024.

2) ÌýThe awardee will receive up to $10,000 to support the completion and/or publication costs of an already-accepted translation project. Awards may be for any legitimate research costs associated with the production and publication of original work, including translation costs. Travel grants, including grants to finance conference travel, will be considered, provided there is clear evidence that conference attendance will promote or advance the published scholarly work of the applicant. ÌýFunds must be disbursed by the end of the academic year following the award. If some portion of the award cannot be disbursed as described in the original application, that portion should be returned to the Fund. Off-cycle requests will not be considered, but applicants are free to submit a new application in the next funding cycle.

The application file consists of:

  1. a letter of nomination (maximum, 750 words), may be self-nominated or other;
  2. a copy of the book in digital format;
  3. a complete list of the nominee’s publications; and
  4. other supporting materials (e.g. typically published reviews, peer evaluations, solicited outside letters, etc).

For the Kayden Translation Award, please submit your application file, consisting of the letter of nomination, the list of nominee’s publications and other supporting materials, all together, in Microsoft Word or PDF format, byÌý5 p.m., March 13, 2026.ÌýThe application file should be submitted via email to Anna JensenÌýbefore or on the day of the application deadline.Ìý


Past winners of the Kayden Book Award

Spring 2026 Kayden Book Award

  • Arne Hoecker (Germanic & Slavic Languages & Literatures) – Paranoia and the Totalitarian Drift of Modernity, forthcoming Cornell University Press
  • Julie Carr (English/Women and Gender Studies) – Turning, forthcoming Omindawn PublishingÌý
  • Michael Sy Uy (Musicology) – Endowing Equity: The NEA, Cultural Diversity, and the Battle for Arts Funding, forthcoming Oxford University Press
  • Nan Goodman (English/Jewish Studies) – Jewish Messiahs Abroad: American Encounters with the Sabbatian Past, forthcoming Oxford University Press
  • Robert Pasnau (Philosophy) – Medieval Voluntarism and Moral Agency, forthcoming Oxford University Press

Spring 2025 Kayden Book Award

  • Mithi Mukherjee (History) – Asianism and the Fall of Empire: India’s Path to Sovereignty

Spring 2024 Kayden Book Award

  • William Taylor (Anthropology) –ÌýHoof Beats: How Horses Shaped Human History, forthcoming University of California Press
  • Laura Ann Winkiel (English) –ÌýModernism and the Middle Passage, forthcoming Columbia University Press

Spring 2023 Kayden Book Award

  • Nuria Silleras-Fernandez (Spanish & Portuguese)Ìý–ÌýThe Politics of Emotion: Love, Grief, and Madness in the Court Culture of Medieval and Early Modern Iberia, Cornell University Press, 2024

2021:ÌýHistory and the Arts (including Creative Writing, Musicology, Theatre, Dance, and Film)

  • John-Michael Rivera (Department of English):ÌýUNDOCUMENTS.ÌýUniversity of Arizona Press, 2021
  • Lucy Chester (Department of History):ÌýNetworks of Decolonization: Britain's Withdrawal from South Asia and Palestine.ÌýOxford University Press

2020: Classics, Philosophy, Religious Studies

  • Celine Dauverd (Department of History):Ìý.ÌýCambridge University Press, 2020
  • Tiffany Beechy (Department of English): Flesh of the Word: Materiality, Aesthetics, and the Incarnation in Early Medieval Britain.ÌýUniversity of Notre Dame Press, 2021

2019: Literary Studies

2018:ÌýHistory and the ArtsÌý(including Creative Writing, Musicology, Theatre, Dance, Film)

  • Brian Catlos (Department of Religious Studies): .ÌýCambridge University Press, 2014.
  • Freddy Gonzalez (Department of History): .ÌýUniversity of California Press, 2017.

2017:ÌýClassics, Philosophy, Religious Studies

  • Andy CainÌý(Department of Classics):ÌýThe Greek Historia Monachorum in Aegypto: Monastic Hagiography in the Late Fourth Century.ÌýOxford University Press, 2016.
  • Honorable mention:ÌýTerry Kleeman (Religious Studies/Asian Languages and Civilizations):ÌýHistory and Ritual in Early Daoist Communities.ÌýHarvard University Press, 2016.

2016: Literary studies

  • Deepti MisriÌý(Department of Women and Gender Studies):Ìý.ÌýUniversity of Illinois Press, 2014.
  • Honorable mention: Antje Richter (Department of Asian Languages and Civilizations):ÌýLetters and Epistolary Culture in Early Medieval China.ÌýUniversity of Washington Press, 2013.
  • Honorable mention: Núria Silleras-Fernández (Department of Spanish and Portuguese):ÌýChariots of Ladies: Francesc Eiximenis and the Court Culture of Medieval and Early Modern Iberia.ÌýCornell University Press, 2015.

2015:ÌýHistory and the Arts

  • Miriam KingsbergÌý(Department of History):Ìý.ÌýUniversity of California Press, 2013.
  • Ruth Ellen KocherÌý(Department of English):.ÌýTupelo Press, 2013.
  • Honorable mention: Laura Olson Osterman (Department of Germanic and Slavic Languages and Literatures):ÌýThe Worlds of Russian Village Women: Tradition, Transgression, Compromise.ÌýUniversity of Wisconsin Press, 2013.
  • Honorable mention: Matthias Richter (Department of Asian Languages and Civilizations):ÌýThe Embodied Text: Establishing Textual Identity in Early Chinese Manuscripts.ÌýBRILL, 2013.

2014: Classics, Philosophy, Religious Studies

  • Jackie ElliottÌý(Department of Classics):ÌýAnnales.ÌýCambridge, 2013.
  • Robert PasnauÌý(Department of Philosophy):Ìý. Oxford, 2011.
  • Honorable Mention: Elspeth Dusinberre (Department of Classics)ÌýEmpire, Authority, and Autonomy in Achaemenid Anatoli.ÌýCambridge, 2013.

2013: Literary studies

  • Sue ZemkaÌý(Department of English):Ìý. Cambridge, 2012.
  • Honorable mention: Nan Goodman:Ìý(Department of English): Banished: Common Law and the Rhetoric of Social Exclusion in Early New England. Penn, 2012.

2012: History and the Arts

  • Thomas AndrewsÌý(Department of History):Ìý. Harvard University Press, 2010.
  • Honorable mention: David Ciarlo (Department of History): Advertising Empire:ÌýRace and Visual Culture in Imperial Germany.ÌýHarvard University Press, 2011.
  • Honorable mention: Keith Waters (College of Music): The Studio Recordings of the Miles Davis Quintet, 1965-68. Oxford University Press, 2011.

Past winners of the Kayden Research Award

Spring 2026:Ìý

  • Brian Catlos
  • Celine Dauverd
  • Dianne Mitchell
  • Erin Espelie
  • Kalpana Subramanian
  • Núria Silleras-Fernández
  • Patrick Greaney
  • Emmanuel David
  • Julie Carr
  • Jessica OrdazÌý

Fall 2025:Ìý

  • Dianne Mitchell
  • Erin Hutchinson
  • Arne Hoecker
  • Lauren Collins
  • Sarah James
  • Hanna ShellÌý

Spring 2025:

  • Brianne Cohen
  • Heather Demarest
  • David Glimp
  • Cheryl Higashida
  • Miriam Kingsberg
  • Samira Mehta
  • Crystal Nelson
  • Megan O’Grady
  • Honor Sachs
  • Laura Ann Winkiel

Fall 2024:

  • Emmanuel David
  • Patrick Greaney
  • Henry Lovejoy
  • Natalie Mendoza
  • S.N. Nyeck
  • Nisha Shanmugaraj
  • Stephanie Su

Spring 2024:

  • Annette W. de Stecher
  • Katherine Alexander
  • Michela Ardizzoni
  • Emmanuel David
  • Matthew Gerber
  • Patrick Greaney
  • Jeanne Liotta
  • Alejandro Cremaschi
  • Richard Saxton
  • Skinner Myers
  • Elika Ortega-Guzman

Fall 2023:

  • Andy Cain
  • Molly Dierks
  • Elspeth Dusinberre
  • Sanjay Gautam
  • Zachary Herz
  • Megan O’Grady
  • Dimitri Nakassis
  • Kelly Sears
  • Christian Hammons
  • Nishant Upadhyay
  • Nicholas Villanueva

Spring 2023:

  • Hilary Kalisman
  • Patrick Greaney
  • Crystal Nelson
  • Tony Wood

Spring 22:

  • Tania Martuscelli
  • Brian Catlos
  • Brian Valente-Quinn
  • Brianne Cohen
  • Emmanuel David

​Fall 22:

  • Tiffany Beechy
  • Julie Car

2021

  • Lauri Reitzammer (Department of Classics): Research associated with the publication of the book, Resident Aliens and Sacred Sightseers: Female Immigrants and Travelers in Athenian Tragedy.
  • Lori EmersonÌý(Department of English):ÌýResearch associated with the publication of the book, The Lab Book: Situated Practices in Media Studies.
  • Nick Villanueva (Department of Ethnic Studies):ÌýResearch associated with the publication of the book, Rainbow Cattle Co.: Liberation, Sport, and Gay Rodeo.
  • Sarah James (Department of Classics): Field work associated with theÌýWest Argolid Regional Project.
  • Nicolo Spera (Strings, College of Music): Funding forÌýrecording of a new major work for guitar and choir:ÌýDoor Out of The Fire.
  • Javier Krauel (Department of Spanish & Portuguese): Funding forÌýArchivalÌýresearch at the International Institute of Social History in Amsterdam to complete the third chapter ofÌýSentimental Publics: Struggles for Freedom and Equality in modern Spain (1812-2017).
  • Kristie Soares (Department of Women & Gender Studies): Funding forÌýpermission costs for reprinting the archival materials for the book manuscript,ÌýJoyful Protest: The Political Work of Joy in Latinx Media.
  • Yumi Roth (Department of Art & Art History): Funding for essayist and the spinners who are being interviewed for the projectÌýSpin (after Sol LeWitt).
  • Beth Dusinberre (Department of Classics): Funding for research associated with the book,ÌýThe Lesser Phrygian Tumuli Part 2: The Cremations.

2020

  • Brian Catlos (Religious Studies): Research associated with the publication of the bookÌýJames the Conqueror: A Crusader King and a Forgotten Renaissance.
  • Susan Kent (Religious Studies): Illustration associated with the publication of the book,ÌýGender: A World History.
  • David Ciarlo (History): Research associated with the bookÌýSelling War:ÌýAdvertising, Propaganda, and the Roots of the Fascist Aesthetic in German Advertising, 1910-1923.
  • Jackie Elliott (Classics): Research associated with the publication ofÌýEarly Roman PoetryÌýandÌýThe History of Cato's Origines.
  • Kirk Ambrose (Art & Art History): ResearchÌýassociated with the publication of the bookÌýGlobal Urnes: A Norwegian Stave Church in International Context.
  • Michaele Ferguson (Political Science): ResearchÌýassociated with the publication of the book IrisÌýMarion Young: Gender, Justice, and the Politics of Difference.
  • Nuìria Silleras–Fernaìndez (Spanish & Portuguese): Research associatedÌýwith the publication ofÌýThe Politics of Emotions: Grief, LoveÌýand Madness in the Court Culture of Medieval and Early Modern Iberia.
  • Sarah James (Classics): Research associated with the publication of the bookÌýExploring the Neighbourhood: The Role of Ceramics in Understanding Place in the Hellenistic World.
  • Phoebe Young (History): ResearchÌýassociated with the publication of the bookÌýCamping Grounds: Public Nature in America from the Civil War to the Occupy Movement.

Past winners of the Kayden TranslationÌýAward

2025

  • Patrick Greaney (German & Slavic Languages & Literatures) – Anthology of writings by the Austrian writer and artist Heimrad Bäcker
  • Clara Park (Political Science) – Making Financial Globalization: How Firms Shape International Regulatory Cooperation

2024

  • Annette de Stecher (Art & Art History) – ÌýWendat Women’s Arts, McGill-Queen’s University Press

2021

  • Holly Gayley:ÌýResearch and one-day Translator Symposium associated with theÌýmanuscript,ÌýInseparable Across Lifetimes: The Lives and Love Letters of the VisionariesÌýNamtrulÌýRinpoche andÌýKhandroÌýTÄ�reÌýLhamo
  • Patrick Greaney:ÌýResearch and one-day Translator Symposium associated with theÌýmanuscript,ÌýAn Austrian Avant-Garde

Background to the Eugene M. Kayden Fund

Eugene M. Kayden was born in Russia in 1886. He came to the United States at the age of sixteen, enrolled at UCB in 1908, and graduated in 1912 with a Bachelor of Arts degree in economics. In order to improve his English while he was attending UCB, Kayden worked on translating Russian plays, poems, and other literary works into English. Kayden continued with the advanced study of economics at Princeton and Harvard and embarked on a distinguished career as a scholar and teacher of economics, serving on the faculty of the University of the South in Sewanee, Tennessee, from 1923-1955.

Professor Kayden focused his scholarly pursuits on literature and economics. He held two convictions that were fundamental to his achievements as a translator. He believed that the best way to understand Russia was through her literature, and that cultural understanding was basic to world peace. Professor Kayden always maintained a particular attachment and loyalty to the University of Colorado, the place where his lifelong interest in Russian translation began. His gifts to his alma mater resulted in the creation of the Eugene M. Kayden Fund, the income from which is used for the advancement of the humanities;

The Eugene M. Kayden Fund – composed of the Kayden Humanities Bequest, the Dora Kayden Gift, and the Eugene M. Kayden Gift – is administered by the University of Colorado Foundation. In 1980 the Kayden Advisory Committee was established and was responsible for advising the Chancellor of the University of Colorado at Boulder on the distribution of the income from the Fund. In 2004 the Fund was transferred by the Chancellor to the College of Arts and Sciences. The Dean of the College assigned the management of the Fund and of the awards to the Associate Dean for Humanities and the Arts. In 2006, the Associate Dean convened a Committee of senior faculty to review the structure of the awards. The Review Committee made recommendations for restructuring the awards to make them more effective in promoting scholarship and publication in the Humanities. While the terms of these gifts are not as clearly documented as they would be now, within the Foundation documents a number of aims are described:

  • “to advance humanities by aiding in the publication of deserving worksâ€�
  • “support faculty publication in the field of the humanitiesâ€�
  • “financial assistance should be granted for creative work and not for textbook writing.â€�
  • “subsidize original works in the history of philosophyâ€�.

The Review Committee considered these to constitute a broad mandate to foster and promote publication in the Humanities, research leading to publication, and the celebration and dissemination of such excellent published scholarship. The Committee determined that the funds should be used to promote scholarship and publication in the humanities at CU, across the broad range of humanistic disciplines, including the pursuit of those disciplines in other Colleges. With this mandate the Committee approved the above structure for the awards.


Updated Jan. 21, 2026