Rachel Sauer
At Sept. 17 gathering, representatives of the arts at ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ, in Boulder and across the Front Range built connections in the nascent We Are Art Buffs initiative.
ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ applied mathematician Mark Hoefer and colleagues answer a longstanding question of how to understand tidal bores in multiple dimensions.
For ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ alumnus Todd Carver, what he learned in the lab as a student inspired industry-rocking innovation in developing digital bike-fitting technology.
Opening Sept. 5 at the CU Art Museum, ‘Shaping Time: CU Ceramics Alumni 2000–2020’ focuses on themes including the environment, domesticity and rituals of home and material connections.
In research recently published in Science, ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ scientists detail how light—rather than energy-intensive heat—can efficiently and sustainably catalyze chemical transformations.
‘The Tender Hand of the Unseen,’ an immersive video installation by ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ artist Molly Valentine Dierks, is featured through June on D&F Tower in downtown Denver.
Fifty years after Jaws made swimmers flee the ocean, ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ cinema scholar Ernesto Acevedo-Muñoz explains how the 1975 summer hit endures as a classic.
ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ conflict scholar Michael English explains why public protests matter and what they can mean in the current political and social moment.
In newly published research, ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ scientists study a rocky exoplanet outside our solar system, learning more about whether and how planets maintain atmospheres.
ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ historian Lucy Chester notes that the recent tensions between the two nations, incited by the April 22 terrorist attack in Kashmir, are the latest in an ongoing cycle.