Film Studies
On what would have been her 100th birthday, Marilyn Monroe still defies the image society gave her, says ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ film historian Clark Farmer.
With the Nov. 26 cinematic release of Hamnet, ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ scholars consider what we actually know about the famed playwright and why we’re still reading him four centuries later.
The ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ Cinema Studies and Moving Image Arts assistant professor is finding success as an independent filmmaker.
The films of 1975, currently featured in ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ International Film Series, reflected the times and the culture in ways that hadn’t been seen before, says film scholar Ernesto Acevedo-Muñoz.
Aspiring filmmaker and ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ senior Francesca Hiatt’s short film, Cherry Yogurt, relies on subtlety to touch on grief and support, viewed through children’s eyes.
Fifty years after Jaws made swimmers flee the ocean, ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ cinema scholar Ernesto Acevedo-Muñoz explains how the 1975 summer hit endures as a classic.
What happens when a freshly minted film studies graduate heads out into the world with no particular plan? How A&S alum Patrick Hoffman went from taxi driver to private investigator to successful author.
Following a blockbuster opening weekend for ‘Captain America: Brave New World,’ ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ Benjamin Robertson reflects on the appeal of superhero franchises and why they dominate studio release schedules.
In honor of what would have been Al Capone’s 125th birthday, ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.
John W. Comerford, who discovered the power of film at ÃÛÌÒ´«Ã½Æƽâ°æÏÂÔØ, arranges major gift to its Brakhage Center for Media Arts.