AnastasiyaOsipova

  • Assistant Professor
  • RUSSIAN, EAST EUROPEAN AND EURASIAN STUDIES
Address

Office: McKenna 233
Office hours:Tuesday and Thursday, 5-6PM (McKenna 233 or on Zoom: https://cuboulder.zoom.us/j/6434616399)

Anastasiya Osipova is scholar of Soviet and contemporary Russian and Ukrainian cultures, with
a focus on materialist aesthetics. Her first book,Survival and Mobilization: The Genre Memory
of Soviet Prison Writingexploresinter-generational aesthetic influence among political prisoners
from 1920s to 2020s.

In addition to her academic work, she is active as a writer, translator, and publisher of
contemporary art and poetry in Russia and Ukraine. In 2013 she co-founded Cicada Press, an
imprint committed to publishing formally experimental Eastern European writing.

RESEARCH INTERESTS
Russian and Eastern European twentieth and twenty-first-century culture; Soviet theory and
materialist aesthetics, their influence on Russian literature of the 1920s-1960s, and their
afterlives in contemporary Eastern European political art and culture; Historical Poetics; prison
writing; feminism; post-classical anarchism; history of Soviet pedagogical experiments.

PUBLICATIONS
“The Case of the DOXA Four: A Year in the School of Political Prisoners,” The Russian Review,
October 14, 2024 digital/ January 2025 print: 103-124.


“Tactile Communism: Keti Chukhrov’s Post-Soviet Dramatic Works and the Legacy of Soviet
Defectology,”Internationale Zeitschrift für Kulturkomparatistik, 10 (2023): 65–82.
https://izfk.uni-trier.de/index.php/izfk/article/view/IZfK-Vol-10-Chukhrovs-Dramatic-Works-
Soviet-Defectology


“The Urbanites and the New Existentialism” inOxford Handbook of Soviet Underground
Culture,edited by Mark Lipovetsky, Ilja Kukuj, Tomás Glanc, Maria Engeström, and Klavdia
Smola. New York: Oxford University Press (2021)


“The Forced Conversion of Varlam Shalamov,” The Los Angeles Review of Books (July 2019).


“The End of The Soviet Baroque: Historical Poetics in Olesha’s Envy and Tynianov’s The Wax
Person,” Transcultural Studies: A Journal in Interdisciplinary Research, vol.13, (2017): 2.


“Occupying the Dream Factory. "Zoe Beloff’sA World Redrawn: Eisenstein and Brecht in
Hollywood,” The Brooklyn Rail (November 2015).


“Haunted Realism. On Specters of Communism: Contemporary Russian Art,” Texte Zur Kunst
(June 2015).

“Difficult Facts: Esfir Shub and the Problem of Realism.” The Brooklyn Rail (September 2011).


EDITORIAL AND TRANSLATION WORK
Keti Chukhrov, Collected Dramatic Works (forthcoming from Cicada Press).
Maria Galina, Communiques (New York: Cicada Press, 2023).
Leonid Schwab,Everburning Pilot(New York: Cicada Press, 2022).
Lida Yusupova,The Scar We Know(New York: Cicada Press, 2021).
Pavel Arseniev,Reported Speech(New York: Cicada Press, 2018).
Roman Osminkin,Not A Word Ҵýƽ Politics!(New York: Cicada Press, 2014).
Circling the Square: Maidan and Cultural Insurgency in Ukraine(New York: Cicada Press,
2014).

PROFESSIONAL AFFILIATIONS
Association of Slavic, East European, and Eurasian Studies
American Association of Teachers of Slavic and East European Languages
Modern Languages Association

EDUCATIONAL BACKGROUND
Ph.D., New York University
M.A., New York University
B.A., University of Pennsylvania