Past Events 2017-2018
Ҵýƽ Peak to Peak Lecture in Steamboat Springs, Colorado
Does God Make Mistakes?
and
Does Christianity Matter for Judaism - and Vice Versa?
August 18 and 19, 2017
Spiritual Life Center at the Heart of SteamboatUnited Methodist Church |736 Oak Street, Steamboat Springs, CO 80487
The University of Colorado Boulder’s Peak to Peak Lecture Series presented two opportunities to learnwith Ҵýƽ professor, Elias Sacks, August 18 and 19, 2017 in Steamboat Spring, Colorado. Both eventstook place at the Spiritual Life Center at the Heart of Steamboat-United Methodist Church.
Does God Make Mistakes? Should God Repent?
Friday, August 18, 2017, at 5 p.m.
The High Holidays are a time when Jews gather together to reflect on their lives, engage inٱܱ(repentance), and vow to dobetter.But are people the only ones called to repent? Does God also make mistakes?If so, does God have to repent?As we enterthe High Holiday season, we will explore ancient and modern views on these questions, asking whether God, too, has regrets andshould be engaging in repentance alongside us. This event is cosponsored by Har Mishpacha.
Does Christianity Matter for Judaism – and Vice Versa?
Saturday, August 19, 2017, at 3 p.m.
What can Christians learn from Judaism, and what can Jews learnfrom Christianity?What do we have to gain from inter-religiousdialogue,and what challenges can such conversations pose? We will explore diverseanswers to these questions, wrestling withsources from the New Testament toworks of post-Holocaust theology. This event is cosponsored by Har Mishpacha and the United Methodist Church of Steamboat Springs.
Elias Sacks is an assistant professor of Jewish Studies and Religious Studies at the University of Colorado Boulder. He works on the Jewish tradition, religious thought, and theories and methods in the study of religion. After receiving his bachelor's degree from Harvard University and studying at the Hebrew University of Jerusalem, he earned a master's degreein Religion from Columbia University and a doctorate in Religion from Princeton University. His research focuses on the modern period, with particular areas of interest including Jewish thought, Jewish-Christian relations, philosophy of religion, religion and politics, hermeneutics, and religious ethics.
These events weresupported by and the , in partnership with the Ҵýƽ Program in Jewish Studies and the . They are part of the Ҵýƽ Peak to Peak Lecture Series, a program that brings Ҵýƽ humanities scholars to communities around Colorado to share innovative perspectives of historical figures, events and enduring questions.
Ҵýƽ Peak to Peak Lecture in Alamosa, Colorado
Adams State University | Alamosa, CO 81101
Brian Catlosis a professor of religious studies at CUBoulder and is one of the world’s leading figures in the study of Mediterranean history.Hiswork centers on Muslim-Christian-Jewish relations and ethno-religious identity in medieval Europe and the Islamic World. In 2014, he published,as well as,which won the, the most important award in the field of Middle Eastern and Islamic studies.His nextbook,Kingdoms of Faith: A New History of Islamic Spain,will be published in the spring of 2018 by Basic Books.
This lecture was hosted by in partnership with the Ҵýƽ Program in Jewish Studies and the . It was part of the Ҵýƽ Peak to Peak Lecture Series, a program that brings Ҵýƽ humanities scholars to communities around Colorado to share innovative perspectives on historical figures, events, and enduring questions. It was also part of the Adams State Faculty Lecture Series.
The Yellow Ticket Film Screening
The Yellow Ticket Film Screening
andFilm Score Performance with Alicia Svigals and Marilyn Lerner
Friday, September 15 |8:00 - 10:30 PM
Dairy Arts Center |2590 Walnut Street, Boulder, CO 80302
The University of Colorado Boulder and the were pleased to present a screening of a rare 1918 silent film, The Yellow Ticket, accompanied by an original film score composed and performed live by klezmer violinist Alicia Svigals with jazz pianist Marilyn Lerner. The screening, which was part of the CU at the Dairy series, took place on Friday, September 15, at 8:00 PM at the Dairy Arts Center, 2590 Walnut Street, Boulder, Colorado. It was followed by a panel discussion with the performers and Ҵýƽ faculty members.
The Yellow Ticket tells the story of a young Jewish woman from a Polish shtetl whois forced by anti-Semitic laws and customs toto lead a double life in a brothel while attempting to study medicine in Tsarist, Russia. The film, which was made at the end of World War I on the eve of the Russian revolution, also includes precious footage of the former Jewish quarter of Warsaw and the people who once lived there. Notably, it stars an adolescent Pola Negri, who would later become the legendary femme fatale of the silent era.
The film was accompanied by an original film score composed and performed by Alicia Svigals, the world’s foremost klezmer fiddler, withMarilyn Lerner, Toronto’s virtuoso new-music pianist. Svigals is a violinist and composer who co-founded the Grammy-winning band The Klezmatics and was a 2014 NEA MacDowell Fellow in composition. Lerner, a jazz pianist, has garnered recognition including Best Western Jazz Recording 2004 and the Montreal International Jazz Festival award for Best Composition. Together they perform this multimedia event across college campuses and festivals.
A panel discussion followed the film, featuring Svigals and Learner alongside Ҵýƽ faculty members, Associate Professor of Music Theory and Jewish Studies,, Assistant Professor of Violin, and , Louis P. Singer Endowed Chair in Jewish History, Chair of the Department of Religious Studies, and Professor of History, Religious Studies, and Jewish Studies.
Alicia Svigals is aviolinist, composer and vocalist from New York. She is the world's leading klezmer fiddler and a founder of the Grammy-winning band The Klezmatics. Svigals is the recipient of the Foundation for Jewish Culture's 2013 New Jewish Culture Network commission for her new score to The Yellow Ticket.She is currently working on the score to a feature film based on Gertrude Stein’s novellaBrewsie and Willie,and is collaborating with author Sarah Schulman on a musical based on Isaac Bashevis Singer’s novelEnemies, A Love Story.In2014, Svigals was a NEA MacDowell Fellow in composition.
Photo Credit: Tina Chaden
Marilyn Lerner is a jazz pianist from Montreal. Her work spans the worlds of jazz, creative improvisation, klezmer and 20th century classical music.Lerner's original music received the Montreal International Jazz Festival award for best composition. Other recordings have garnered recognition such as Best Western Jazz Recordingfor her duo with legendary guitarist Sonny Greenwich. Additionally, Lernerconducts workshops on improvisation and on Jewish music.
Photo Credit: Boris Iskovitch
The Yellow Ticket film screening was part of the CU @ The Dairy series, a new collaboration between the Dairy Arts Center and the University of Colorado Boulder’s College of Music.This screening was supported by the the , the, the, and the .
Event Photo Credit: Chris Randle
Post-Holocaust American Judaism Collections Symposium
Post-Holocaust American Judaism Collections Student Fellow Symposium
Monday, September 18, 2017| 12:00 - 1:30 PM
Opento CU Faculty, Staff, and Students
The Program in Jewish Studies and the University Libraries' Special Collections and Archives celebratedthe achievements of three graduate student fellows, Adi Nester, Amber Manning, and Jason Hogstad, who presented their research projects on materials in the Post-Holocaust American Judaism Collections. During the summer, these studentsworked with archivists in the PHAJ collections learning archival processing techniques. They also researched, designed, and curated their own projects and exhibits using the materials from the collections. In addition to publishing online, theypresented their projects and findings at this symposium.Thisevent took place on Monday, September 18 from 12:00 -1:30 PM.
Adi Nester
The Program as Advertisement: Art and Propaganda in Concert and Theater Programs, Exhibition Catalogues, and Brochures in Germany 1913-1961 (The Richard E. Campbell Collection)
The holds materials related to Germany's cultural history from the early 1910s to the beginning of the 1990s. Among these materials is a significant number of programs, catalogues, and brochures from concerts, opera and theater performances, art exhibitions, and book fairs. The majority of these documents is from cultural events that took place between 1933 and 1945 in Germany although some items go back as early as World War I and further into the 1960s. Adi Nester's project offers a curated collection of these programs, brochures, and catalogues from before, during, and shortly after the period of Nazi regime in Germany. It presents these items in an interactive online exhibit that progresses chronologically from 1913 to 1961. The aim of the project is to explore the medium of the program, brochure, or catalogue as an instrument that reflects the social and ideological tendencies of its time. With the inclusion of related, supporting documents such as newspaper clippings, letters, and posters, (which are also part of the Richard Campbell Collection) this curated collection invites us to contemplate the various ways in which these different documents served as carriers of ideology even when they conveyed nothing more than "mere" titles and names.
Amber Manning
Women, Empowerment, and Midrash: An Examination of the Institute for Contemporary Midrash Records
In a letter of endorsement for the Institute for Contemporary Midrash (written after participating in a midrash training), Rosalind Glazer claims, simply, "for women–midrash matters" (Box 12, ICMR). In her archive exhibit on the , Amber Manning seeks to examine and uncover why midrash is so important to and for women. Overall, documents from the collection indicate that contemporary midrash, both as a process and a product, creates a community for women, a community that facilitates a deeper relationship with the Torah, with Judaism, and with other women.
Jason Hogstad
Practicing Imperfection:A Zen Rabbi and the Limits of Historical Inquiry
Using materials found in the , Jason Hogstad created anonline exhibit, titled "Practicing Imperfection: A Zen Rabbi and the Limits of Historical Inquiry,"that encourages audiences to evaluate how we use history to understand and discuss deeply religious experiences and lives. As a young man, Alan Lew (1943-2009) felt little connection with his Jewish faith, and after decades of searching, found a spiritual home in the meditative practice and mysticism of Zen Buddhism. By the 1980s, however, Lew wanted to reconnect with his Jewish roots and studied as a rabbi so that he could incorporate meditation into Jewish spiritual practice. His life was characterized by his desire to embrace what he described as a "realm beyond language." Here, then, is the problem with which this exhibit wrestles: history relies upon language to make sense of the past. Alan Lew, however, was not a fan of history, suggesting that it reduced people and experiences to intellectual arguments. Lew was right, at least in part. "Practicing Imperfection" asks audiences to think about how we can make sense of the life of Alan Lew, and in doing so, to wrestle with the limits of historical inquiry he identified.
Amber Manning and Adi Nesterwere supported by, andJason Hogstadwas supported by a.Graduate students: Interested in applying? Applications for Summer 2018 archive fellowshipswill openSpring 2018!
Learn more about the Post-Holocaust American Judaism Collections
The Program in Jewish Studies and University Libraries' Special Collections and Archives arebuilding a collection of archival holdings focused on Judaism andthe Jewish-American experience fromroughly the late 1940s to the present.
The Post-Holocaust American Judaism Collections exist to document the work of the individuals and groups, who transformed and in many cases are still transforming the American Jewish experience in the post-World War II period, and to make that experience accessible to students, researchers, and interested parties of all kinds.
SHE: Embodied Judaism Symposium & Exhibit
Who is She? The Shekhinah, which derives from the Hebrew wordfor "dwell or settle," is a feminine divine presence, guiding and protecting men and women everywhere. She is power, wisdom, and compassion and has influenced Jews from the ancient world through Second and Third Wave feminism and into the transgender and environmental concerns of the present day. Who is She, how has She empowered us, and how doesShe appear to us today?
SHE, the third biannual Embodied Judaism Symposium, explored the concept ofShekhinah, drawing on materials in the Post-Holocaust American Judaism Collections held at the University of Colorado Boulder. The symposium featured insight and embodied presentations by,, andProfessor Samuel Boydas well as an original performance from dancer and choreographer.The symposium was accompanied by an exhibit exploring the concept of Shekhinah, which was be on display in Ҵýƽ's NorlinLibrary.
The 2017 symposium and exhibit were hosted by the Program in Jewish Studies and the University Libraries' Special Collections and Archives andmade possible by support from Rose Community Foundation,a Research andInnovative Seed Grant, and CU's Departments of Philosophy, History, Germanic and Slavic Languages and Literatures, Theatre and Dance, Religious Studies, English, and Women and Gender Studies.
SHE
2017 Embodied Judaism Presentations
Professor Samuel Boyd: "Herstory":A Brief History of the Shekhinah
Boyd explored the historical backgrounds of the Shekhinah, showing how the concept of female divine presence appears in ancient Near Eastern texts, iconography, and religious practice. He traced this cultural background in the biblical texts, particularly Deuteronomy, and showed how conceptions of the Shekhinah evolved into early Judaism.
Samuel Boydis an Assistant Professor of Religious Studies and Jewish Studies at the University of Colorado Boulder anda scholar of biblical texts and the ancient Near East. He researches the Bible through various critical methods and in light of wider historical contexts to understand both the production of these documents as well as their history of interpretation. His particular areas of research include the development of the Pentateuch (or first five books of the Hebrew Bible), legal hermeneutics in the ancient Near East, language ideology in the ancient world, and ritual theory applied to biblical texts.
Rabbi Dr. Tirzah Firestone:She Who Dwells Below
Firestone spoke on how, for over 2,000 years, feminine wisdom flowed through Jewish history like an underground river. Submerged by a dominant ethic that ignored her riches and refused her power, She spoke to those who were attuned only.In our day, this mythic face of divinity refuses to be ignored. She rises to the surface, embodied and unequivocal, breaking up old paradigms of understanding and demanding our attention.
, was ordained by Reb Zalman Shachter Shalomi (of blessed memory) in 1992, and is the founding rabbi of Congregation Nevei Kodesh, Jewish Renewal Community of Boulder. Firestoneis a Jungian psychologist and author, currently at work on a book about the healing of intergenerational trauma. She is widely known for her work on the confluence of Kabbalah and psychology and the re-integration of the feminine wisdom tradition within Judaism.
Robert Sher-Machherndl:Grasping Aspects of Shekhinah by Generating Movement Phrases
The aim of Sher-Machherndl’s originally choreographed piece was to embody co-existing female and male energies as they relate to the curious mythology of Shekhinah.Sher-Machherndlbelieves these elements have a constant presence in his choreography and performance, therefore key to the creative process.He was accompanied by Bailey Harper.
Internationally recognized choreographer was born inVienna, Austria and has been granted the US visa ‘Alien of Extraordinary Ability’. He’s been principal dancer with Dutch National Ballet, Bavarian State Ballet and Nederlands Dance Theater, co-director of Salzburg Ballet and assistant artistic director at Scapino Ballet Rotterdam. He has choreographed forVienna State Ballet, Finnish National Ballet, Bavarian State Ballet, Scapino Ballet, Salzburg Ballet, Lines Ballet BFA, Denver Arts & Venues, Cleo Parker Robinson Dance, Santa Fe Dance Festival, Ballet Next and more, and he has taught at numerous dance institutions and universities. He’s been named ‘Dance Person of the Year’ by the Denver Post, a four-time winner of New York Ballet Builders Award, and was featured on the MTV Emmy Award winning series MADE.Sher-Machherndlis a founder of the acclaimed Lemon Sponge Cake Contemporary Ballet where he’s choreographed many new works and established a variety of educational programs.
Sher-Machherndl was accompanied by professional dancer, Bailey Harper.Harper, a Louisiana native and graduate of the University of Alabama, has been a professional dancer for almost ten years. She has danced with several different companies including the Montgomery Ballet, Cleo Parker Robinson Dance Ensemble, Hannah Khan Dance Company, and many other choreographic projects. Harper is finding that each company brings the opportunity to explore a new dance style, a deeper understanding of movement, and a more authentic performance experience. Currently, she is collaborating with Lemon Sponge Cake Contemporary Ballet and focusing on self-producing art projects.
Professor Joy Ladin: When I Grow Up, I Want to Be the Shekhinah: An Annotated Poetry Reading
Ladin read and discuss poems that dramatize the role of the Shekhinah in her gender transition, her development as a poet, and her growth as human being.
holds the Gottesman Chair in English at Yeshiva University. She is the author of seven books of poetry, including Lambda Literary Award finalists ImpersonationandTransmigration; two new collections, Fireworks in the Graveyard (Headmistress Press) andThe Future is Trying to Tell Us Something: New and Selected Poems(Sheep Meadow Press) are coming out in 2017. A work of creative non-fiction,The Soul of the Stranger, about reading the Torah from a transgender perspective, is due out in 2018 from Brandeis University Press.Her memoir of gender transition, Through the Door of Life,was a 2012 National Jewish Book Award finalist.Herwork has been recognized with a National Endowment of the Arts fellowship and a Fulbright Scholarship, among other honors. Her poems and essays are available at.
Ҵýƽ the Embodied Judaism Series
, held biannually on the University of Colorado Boulder campus,draws on materials housed in the to explore the role of the body in Jewish life through public symposiumsfeaturing academic scholars, prominent practitioners, and artistic performers, and multimedia exhibits aimed at academic and non-academic audiences. It is a partnership between the Program in Jewish Studies, University Libraries' Special Collections and Archives, and cosponsors.
SHE: Embodied Judaism Symposiumis part of the Community Talks Series,made possible in part by a grantfrom Rose Community Foundation.A subscription series, Community Talks features nationally and internationally renowned scholars, authors, artists, and performers for themed public events with the goal of enriching community learning and expanding access to academic programming on Jewish culture and history.
2018 Annual Holocaust Lecture
Inheritance Trouble:Migrant Archives of Holocaust Remembrance
2018 Annual Holocaust Lecturewith Professor Michael Rothberg
In honor of International Holocaust Remembrance Day, January 27
Thursday, January 25, 2018| 7:00PM - 8:30PM
Old Main Theater | Ҵýƽ campus
How should we think about the transmission of Holocaust memory more than seventy years after the defeat of Nazi Germany? What lessons do the events of the Shoah bear for a moment in which far-right political movements are once again on the rise? In order to address such questions, ProfessorMichael Rothberg considered immigrants’ engagement with the Holocaust in contemporary Germany. The works of art, literature, and performance that he discussed modeledalternative ways of remembering the Nazi genocide in the twenty-first century and suggested possibilities for an ethically and politically engaged memory work.
Professor Rothberg's lecture was presentedin honor of International Holocaust Remembrance Day, January 27.
Ҵýƽ Professor Michael Rothberg
is the 1939 Society Samuel Goetz Chair in Holocaust Studies and Professor of English and Comparative Literature at the University of California, Los Angeles. His latest book is Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization (2009), published by Stanford University Press in their “Cultural Memory in the Present” series. He is also the author of Traumatic Realism: The Demands of Holocaust Representation (2000), and has co-edited The Holocaust: Theoretical Readings (2003) and special issues of the journals Criticism, Interventions, Occasion, and Yale French Studies. He is currently completing The Implicated Subject: Beyond Victims and Perpetrators and Inheritance Trouble: Migrant Archives of Holocaust Remembrance (with Yasemin Yildiz).
Graduate Student & Faculty Colloquium with Professor Michael Rothberg
Thursday, January 25, 2018| 11:30AM - 1:00PM
Please RSVP for location and pre-circulated reading.
Lunch will be served. RSVP to CUJewishStudies@colorado.edu.
Open to CU Faculty, Staff, and Students.
In this colloquium, Professor Michael Rothberg explored issues raised by his forthcoming bookThe Implicated Subject, which addresses questions of historical and political responsibility beyond the categories of victims and perpetrators. The book considers a variety of cases taken from diverse historical and geographical settings: from the legacies of the Holocaust, transatlantic slavery, and South African apartheid to diasporic engagement with Israel/Palestine and internationalist solidarity with Kurdistan and Vietnam.
Based on a draft excerpt from the book's introduction, we discussed the concepts of "implication" and the "implicated subject," which are attempts to theorize how we are connected to historical and contemporary forms of violence that may appear distant from us. This excerpt takes up responses to the murder of Trayvon Martin as well as theories of responsibility in the work of Primo Levi, Karl Jaspers, and Hannah Arendt.
This event was cosponsored by the Department of Anthropology, Department of Germanic & Slavic Languages & Literatures, and the University Libraries at the University of Colorado Boulder.
2018 Visiting Author
How a Jewish Kid from Los Angeles Traveled to Wartime Iraq in Search of Roots, Reconciliation and His Father's Improbable Life Story
An Evening with Award-Winning Author and Journalist, Ariel Sabar
Old Main Theater | Ҵýƽ campus
Growing up in materialistic 1980s Los Angeles, Ariel Sabar's life seemed a far cry from his father's. Yona Sabar, Ariel's father, was a distinguished professor at UCLA and one of the world’s foremost experts on Aramaic, the 3,000-year-old language of the Jewish Talmud — and of Jesus. But Ariel saw his father as a stone-age relic, a walking fashion tragedy who couldn’t get his clothes to match and refused to see a barber about his out-of-control, Einstein-like hair.Yona had been born in an ancient village of Aramaic-speaking Jews inthe mountains of Kurdish Iraq—the oldest corner of the Jewish diaspora — but for Ariel, his father might as well have been born on the moon.Then Ariel had his own son, and everything changed.
In his talk, Ariel weaved together the remarkable story of the Kurdish Jews and their Aramaic tongue with the moving tale of how a consummate California kid came to write a book about his family’s Kurdish roots. The book,My Father’s Paradise: A Son’s Search for his Jewish Past in Kurdish Iraq, won the National Book Critics Circle Award for Autobiography, one of the highest honors in American letters.
Ҵýƽ Ariel Sabar
won the National Book Critics Circle Award for his debut book, My Father's Paradise: A Son's Search for his Jewish Past in Kurdish Iraq (2008).His second book, Heart of the City (2011), was called a "beguiling romp" (New York Times) and an "engaging, moving and lively read" (Toronto Star).His Kindle Single,The Outsider: The Life and Times of Roger Barker(2014), was a best-selling nonfiction short.
Sabar is also an award-winning journalist whose work hasappeared in theNew York Times, The Atlantic, Harper's,Washington Post, Boston Globe, Mother Jones,andThis American Life,among many other places. Hegraduatedmagna cum laude fromBrown University. Learn more on his website, .
Open to Students, Faculty, and Community Subscribers
Thursday, February 8, 2018| 11:30AM - 1:00PM
Students, faculty, and community were given a chance to meet award-winning author and journalist Ariel Sabar and ask questions about his books and journalism.
This event was hosted by the Program in Jewish Studies and cosponsored by the Department of Ethnic Studies, Department of Asian Languages and Civilizations, Department of English, Department of Religious Studies, and Mediterranean Studies Group.
Ariel Sabar's visit was part of the Community Talks Series,made possible in part by a grantfrom Rose Community Foundation.A subscription series, Community Talks features nationally and internationally renowned scholars, authors, artists, and performers for themed public events with the goal of enriching community learning and expanding access to academic programming on Jewish culture and history.
Free Concert Open to All
Fourth Annual Student Hebrew Concert
Wednesday, March 7, 2018| 6:00PM - 8:00PM
Old Main Theater, Ҵýƽ campus
Free and open to the public.
Singing! Dancing! Fun!
The students of Ҵýƽ's Hebrew classes and the Program in Jewish Studies presented thefourth annual Hebrew Schmooze-A-Palooza!The night was filled witha variety of musical and dance performances to celebrate Hebrew classes and community. Audience members sang along to renditions of well-known songs like "Hallelujah"and heard new music performed by Hebrew students!
2018 Sephardic Studies Visiting Scholar
Jewish Autonomy in a Slave Society: The Eurafrican Jews of Suriname, South America
Lecture with Professor Aviva Ben-Ur, Sephardic Studies Visiting Scholar
Suriname, a Dutch colony established on the South American mainland in the 1660s, was among the largest slave societies of the hemisphere. Its Jewish community, founded during the same decade, was granted exceptional liberties, including religious tolerance, unrestricted economic opportunities, and, most remarkably, the privilege to self-govern according to its own religious and secular laws. This political autonomy also empowered Jews to convert their slaves to Judaism, resulting in the rise of a sizeable class of people collectively known in the sources as “mulatto Jews” or “Jewish mulattoes.” In her talk,Professor Aviva Ben-Ur addressed the emergence of Eurafrican Jews, their legal status, cultural characteristics, social activism, and their experience of Jewish autonomy in a colony where upwards of 96 percent of the population was unfree.
Ҵýƽ Professor Aviva Ben-Ur
is Professor in the Department of Judaic and Near Eastern Studies at the University of Massachusetts-Amherst and holds adjunct appointments in the Department of History and in the Programs of Spanish and Portuguese and Comparative Literature. She specializes in Atlantic Jewish history and slavery studies and is the author of Jewish Autonomy in a Slave Society: Suriname in the Atlantic World, 1651-1825 (forthcoming with University of Pennsylvania Press), Remnant Stones: The Jewish Cemeteries and Synagogues of Suriname: Essays (Hebrew Union College Press, 2012) and Remnant Stones: The Jewish Cemeteries of Suriname: Epitaphs (Hebrew Union College Press, 2009), both co-authored with Rachel Frankel, and Sephardic Jews in America: A Diasporic History (New York University Press, 2009).
Identity Imperative: Ottoman Jews and Christians in Wartime and Interwar Britain
Open to Students, Faculty, and Community Subscribers
Thursday, March 15, 2018| 11:30AM - 1:00PM
By the onset of World War I, thousands of Ottoman immigrants were living and trading in Britain. During wartime and through much of the interwar period, these multi-ethnic, multi-religious Ottomans were automatically branded as enemy aliens, even after the dissolution of the Empire, subject at times to internment and deportation to concentration camps, stripped of their freedom of movement, and uniformly barred from British citizenship. Drawing on hundreds of recently declassified naturalization applications pertaining to Armenian, Jewish, Syrian, and Greek Ottoman subjects, this colloquium paper discussedthe prosopography of Middle Eastern newcomers, nativism and xenophobia, xenophilism, and the role of the state in shaping national and ethnic identities.
This event is hosted by the Program in Jewish Studies and cosponsored by the Department of History and the School of Law at the University of Colorado Boulder.
Aviva Ben-Ur'svisitis part of the Community Talks Series,made possible in part by a grantfrom Rose Community Foundation.A subscription series, Community Talks features nationally and internationally renownscholars, authors, artists, and performers for themed public events with the goal of enriching community learning and expanding access to academic programming on Jewish culture and history.
Children in a World of Genocide: From the Holocaust to 21st Century Refugees
Panel Discussion with Patricia Heberer-Rice, PhD
Monday, April 9 | 7:00 PM- 9:00PM
In honor of Annual Holocaust Remembrance Week,CU Anschutz's ,Ҵýƽ's Program in Jewish Studies, and cosponsors presented a panel discussion featuring United States Holocaust Memorial Museum Senior Historian Patricia Heberer-Rice, PhD. Dr. Heberer-Rice discussed the experience of child victims of the Holocaust,followed by panel discussion about genocide and the experiences of working refugee children in Colorado.
This program is thesecond annualCU-Anschutz-ҴýƽHolocaust Remembrance Week Lecture. It is hosted byCU Anschutz's andҴýƽ's Program in Jewish Studies, and ismade possible by the M.B. Glassman Foundation,the United State Holocaust Memorial Museum, and the Dr. William S. Silvers Endowment.
Ҵýƽ annually honorsHolocaust Remembrance Week, hosting a variety of freeevents around campus.
Find a schedule of events below.
The 2018Holocaust Remembrance Week isco-sponsored by the Department of Anthropology, CU's Hillel, the Department of History, the Honors Program,the Department of Religious Studies, the Program in Jewish Studies, the Department of Germanic and Slavic Languages and Literatures, theDepartmentof Women and Gender Studies,the Singer Fund in Jewish Studies, and Chabad.
2018 Holocaust Awareness Week Events
How Healers Became Killers: Law & Medicine in the Nazi Era
Monday, April 9 | 12:00 PM - 1:00PM
Wolf Law Building205, Ҵýƽ campus
Presentation and Q&A with Dr. Patricia Heberer-Rice, Dr. Matthew Wynia, and Professor Daniel Goldberg
Children in a World of Genocide: From the Holocaust to 21st Century Refugees
Monday, April 9 | 7:00 PM
Eaton Humanities, Room 135
Hosted by the Program in Jewish Studies and .
Wednesday, April 11| 7:00 PM
Muenzinger Auditorium
Free special screening of an archival 35mm print as part of the .
Presentedby the Film Studies Programandthe Program in Jewish Studies.
Tuesday, April 17 | 6:30 PM
Hillel at Ҵýƽ
Light dinner at 6:30 PM, film screening at 7:00 PM.
Wednesday April 18 | 6:30 PM
Hale 270 | Ҵýƽ campus
FeaturingProfessor Wendy Lower,Professor David Shneer, Professor Janet Jacobs, and Dr. Robert Ehrenreich.
Keynote Lecture with Wendy Lower:Hitler's Furies: German Women in the Nazi Killing Fields
Thursday, April 19 | 5:00 PM
Hale 270, Ҵýƽ campus
After ProfessorLower's talk, please join the Program in Jewish Studies for apublic lecturewithphotographer Laurence Salzmann, 7:00PM inOld Main Theater.
Friday, April 20 | 7:00 PM
Hillel at Ҵýƽ
Is Messianic Hope Worthwhile?:
The Case of Jacob Taubes
Colloquium with Professor Martin Kavka
2018 Week of Jewish Philosophy –Religion and Messianism
Thursday, April 26, 2018 | 11:30AM - 1:00PM
University of Colorado Boulder Campus
Lunch will be served.Please RSVP to CUJewishStudies@colorado.edu for pre-circulated reading and location information.
One needs only to go to a news website—any news website—to tap into hope for something better. In the language of the Jewish andChristian traditions, this hope has often been expressed as a hope for redemption, as a specifically messianic hope. The mid-twentiethcentury saw a debate about whether such hope was worthwhile, with the influential historian of Jewish mysticism Gershom Scholem(1897–1982) arguing for a cautious embrace of messianism as a historical force, and his erstwhile friend Jacob Taubes (1923–1987), oneof the post-Holocaust era’s most controversial and notorious rabbis, arguing against this attitude. This seminar assessed Taubes'sresponse to Scholem, and itsimplicit charge that Judaism should be more like Christianity.
Professor Kavka's visit markedthe fourth annual Week of Jewish Philosophy, a joint initiative presented byand.
Ҵýƽ Martin Kavka
These events arehosted by Ҵýƽ'sProgram in Jewish Studies and and are generouslysupported by CU's Department of Germanic & Slavic Languages & Literatures and Department of Religious Studies.
2018 Week of Jewish Philosophy Events
In addition to the colloquium held at Ҵýƽ, Professor Kavka presented two events at the University of Denver. Please click on each title below for more details.
2018 Sondra & Howard Bender Visiting Scholar
Public Talks with Renown Photographer, Laurence Salzmann
2018 Sondra & Howard Bender Visiting Scholar
|
|
When photographer Laurence Salzmann and anthropologist Ayse Gürsan-Salzmann received an invitation from the Beth Hatfutsot Museum in Tel Aviv and the Quincentennial Foundation of Istanbul to document Jewish monuments in Turkey, a three-month stay became a five-year visit. From 1984-1989, the Salzmanns photographed and chronicled the lives of Turkey’s Sephardic Jewish community, in their first year alone visiting over 25 sites where Jews have lived for over 500 years. Twenty-five years later, on a return trip to Turkey from 2012-2013, the Salzmanns revisited the Jewish communities of Antakaya, Istanbul and Izmir, taking additional photos and videos of Turkish Jewish life.
In his public lecture, In Search of Turkey's Jews,Salzmann explored the Sephardic communities of Turkey, using his extensive collection of photographs and notes about the people the Salzmanns met, places they visited, and lessons they learned along the way. The lecture took place Thursday, April 19, 7:00PM - 8:30PMin theUniversity Club building, Chancellor's Silver and Gold roomon the Ҵýƽ's campus.
A selection of Salzmann’s photographs from his exhibit, Turkey’s Jews Revisited (1984-2012), were on display at the Boulder Jewish Community Center from April 9– May 18, 2018. Salzmann also lead a lunchtimewalk-through of this exhibition, Thursday, April 19, 11:30AM - 1:00PM at the Boulder JCC. Lunch will be served; spaceis limited. The prints inTurkey's Jews Revisited are pigment prints made by the photographer on archival papers.
Ҵýƽ Laurence Salzmann
Salzmann's photographic method is deeply informed by his background in anthropology and involves long-term participation in and observation of groups or events. His work illustrates how lives and events are shaped by the environments and conditions in which people live. Salzmann has won multiple awards for his work and has been featured in museums and galleries throughout the world.
The annual Sondra and HowardBenderVisiting Scholar series is generously supported by theSondra and HowardBender Visiting Scholars Endowed Fund, honoring the lives of Sondra and Howard Bender.
These events were hosted by Ҵýƽ'sProgram in Jewish Studies and and are generouslysupported by a grant from CUBoulder's Graduate Committee on the Arts and Humanities.
Laurence Salzmann'svisitwas part of the Community Talks Series,made possible in part by a grantfrom .A subscription series, Community Talks features nationally and internationally renownscholars, authors, artists, and performers for themed public events with the goal of enriching community learning and expanding access to academic programming on Jewish culture and history.