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“Ask me / for a book of doors that open all at once.” Underscore manifests, stunningly, a movement back and forth — flowing, shuttling, plunging, leaping, folding — between forms of attention and feeling, both delicate and

"The best yet from one of the best in the business. An emotional depth that staggers, built on guilt, identity, one's place in the world, what's right and what's wrong. The Only Good Indians has it all: style, elevation, reality,

"The adventurous and immersive latest from Douglas, continues the author’s fusion of poetry and prose with a nonlinear tale combining an escape from slavery in 18th-century Jamaica and immigrant life in 2010s America… ‘Time and

"In her frankly feminist ninth collection, Kocher (godhouse) dissects the dangers beneath the male gaze, the specter of which shadows women everywhere...These whip-smart and evocative poems derive meaning from both the darkness

"DeShell is a daring, intelligent, hard-eyed, and tenderhearted writer, all of which is abundantly evident in his wonderful new novel. Jeffrey DeShell has managed to make the form of the crime novel erudite, challenging, and

“Elisabeth Sheffield’s Ire Land is an exquisite construction—as sly as Nabokov, as tender as Beckett, deeply intelligent and run through with heart and dark hilarity and great waves of rage and beauty.  It possesses an

"'For seasons I was faceless // trying to swallow constellations, / to roll a star-map on my tongue,' recounts Rajiv Mohabir’s speaker in “Boy with Baleen for Teeth.” As formally visionary and acoustically attuned as ever, Mohabir

"A riveting story of heartbreak, death, and revenge, this remarkable work of American fiction, a thought-provoking tale filled with existential terror, unease, and a high body count, transforms, in Jones’ deft hands, from the

“An exquisite mosaic of the cruel and haunting complexities of family, race, property, and political power in the American West. Carefully researched, Mud, Blood, and Ghosts is a brave and moving book.”- AVERY F. GORDON, AUTHOR OF

Masses and Motets is a tale composed of four basic interwoven threads, corresponding to the four-part choral writing of Pierre de la Rue’s service music. The first thread comes from the diaries of a recently murdered priest, Father Andrea Vidal